← Back to explore

La Jetée

1962 · short film · NR · 29 min

7.9(1,007)unSUB Rating

DramaRomanceScience Fiction

In a devastated future where survivors live underground, a captive is forced into risky experiments that send him drifting through time in search of a way to save the present. Guided by a powerful childhood memory and a fleeting connection he can’t forget, he struggles to tell whether he’s dreaming, remembering, or truly returning.

Also known as The Pier · La Jetee Sans Soleil

Where to watch

Not currently available to stream in the US.

Streaming availability and prices may be inaccurate or change — verify with the provider before subscribing.

unSUB's subscription recommendations are informational only, not financial advice.

unSUB does not host or stream any content. Every link above goes to a licensed provider.

More value for your money

Similar titles, ranked by watch-hours per subscription dollar.

Details
Years
1962
Release date
1962-02-16
Language
French
Rated
NR
Runtime
29 min
TMDB rating (input)
7.9/10 (1,007 votes)
About

You’ll likely enjoy this if you want a short, haunting sci-fi romance told in an unusual, photo-based style, and you’re open to ambiguity; Not for you if you need fast pacing or lots of dialogue, though fans of Last Year at Marienbad may connect with it.

Pros: haunting time-travel premise; unforgettable mood; bold still-image style | Cons: slow, repetitive pacing; heavy narration; form may feel tedious

Themes

  • paris, france
  • nuclear war
  • post-apocalyptic future
  • paris orly airport
  • time travel
  • radioactivity
  • black and white
  • short film

Cast & crew

  • Jean Négroni

    Jean Négroni

    as Narrator (voice)

  • Hélène Chatelain

    Hélène Chatelain

  • Davos Hanich

    Davos Hanich

  • Jacques Ledoux

    Jacques Ledoux

  • André Heinrich

    André Heinrich

  • JB

    Jacques Branchu

  • Pierre Joffroy

    Pierre Joffroy

  • ÉB

    Étienne Becker

  • PL

    Philbert von Lifchitz

  • Ligia Branice

    Ligia Branice

Directed by Chris Marker