
Rudolph Maté
Camera
Born January 21, 1898 · Krakau, Galicia, Austria-Hungary [now Kraków, Malopolskie, Poland]
Died October 27, 1964
Also known as Rudolphe Mate · Rudy Maté · Rudolf Mayer
Biography
From Wikipedia, the free encyclopedia Rudolph Maté, A.S.C. (21 January 1898 – 27 October 1964), born Rudolf Matheh or Mayer, was an accomplished cinematographer and film director. Born in Kraków (then in Austria-Hungary, now in Poland), Maté started in the film business after his graduation from the University of Budapest. He went on to work as an assistant cameraman in Hungary and later throughout Europe, sometimes with noted colleague Karl Freund. Maté worked on several of Carl Theodor Dreyer's films including The Passion of Joan of Arc (1928) and Vampyr (1932) which led to his being hired as director of photography on a number of prominent films. Maté worked as cinematographer on Hollywood films from the mid-1930s, including Dodsworth (1936), the Laurel and Hardy feature Our Relations (1936) and Stella Dallas (1937). He was nominated for the Academy Award for Best Cinematography in five consecutive years, for Foreign Correspondent (1940), That Hamilton Woman (1941), The Pride of the Yankees (1942), Sahara (1943), and Cover Girl (1944). In 1947, he turned to directing films, his credits include When Worlds Collide (1951), the film noir classic D.O.A. and No Sad Songs for Me (both 1950). Directed by Maté, The 300 Spartans is a 1962 film depicting the Battle of Thermopylae. Made with the cooperation of the Greek government, it was shot in the village of Perachora in the Peloponnese. He died from a heart attack in Hollywood on October 27, 1964 at the age of 66. Description above from the Wikipedia article Rudolph Maté, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Awards & recognition
- Academy Award — Best Cinematography, Color · 1945 · nominated
- Academy Award — Best Cinematography, Black-and-White · 1944 · nominated
- Academy Award — Best Cinematography, Black-and-White · 1943 · nominated
- Academy Award — Best Cinematography, Black-and-White · 1942 · nominated
- Academy Award — Best Cinematography, Black-and-White · 1941 · nominated
Filmography45 titles

Metropolitan

The Passion of Joan of Arc

To Be or Not to Be

Gilda

The Pride of the Yankees

The Mississippi Gambler

Sahara

It Started with Eve

Vampyr

That Hamilton Woman

Dodsworth

Foreign Correspondent

My Favorite Wife

Love Affair

Our Relations

Charlie Chan's Secret

Miracle in the Rain

D.O.A.

Stella Dallas

Come and Get It

Over 21

Letter to Loretta

Union Station

The 300 Spartans

For the First Time

The Violent Men

The Green Glove

When Worlds Collide

Cover Girl

The Flying Deuces

Trade Winds

The Far Horizons

The Black Shield of Falworth

The Real Glory

Michael

The Siege at Red River

Branded

They Got Me Covered

The Adventures of Marco Polo

Three Violent People

The Dark Past

Down to Earth

Seven Sinners

Blockade

The Barbarians