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Rudolph Maté

Camera

Born January 21, 1898 · Krakau, Galicia, Austria-Hungary [now Kraków, Malopolskie, Poland]

Died October 27, 1964

Also known as Rudolphe Mate · Rudy Maté · Rudolf Mayer

Biography

​From Wikipedia, the free encyclopedia Rudolph Maté, A.S.C. (21 January 1898 – 27 October 1964), born Rudolf Matheh or Mayer, was an accomplished cinematographer and film director. Born in Kraków (then in Austria-Hungary, now in Poland), Maté started in the film business after his graduation from the University of Budapest. He went on to work as an assistant cameraman in Hungary and later throughout Europe, sometimes with noted colleague Karl Freund. Maté worked on several of Carl Theodor Dreyer's films including The Passion of Joan of Arc (1928) and Vampyr (1932) which led to his being hired as director of photography on a number of prominent films. Maté worked as cinematographer on Hollywood films from the mid-1930s, including Dodsworth (1936), the Laurel and Hardy feature Our Relations (1936) and Stella Dallas (1937). He was nominated for the Academy Award for Best Cinematography in five consecutive years, for Foreign Correspondent (1940), That Hamilton Woman (1941), The Pride of the Yankees (1942), Sahara (1943), and Cover Girl (1944). In 1947, he turned to directing films, his credits include When Worlds Collide (1951), the film noir classic D.O.A. and No Sad Songs for Me (both 1950). Directed by Maté, The 300 Spartans is a 1962 film depicting the Battle of Thermopylae. Made with the cooperation of the Greek government, it was shot in the village of Perachora in the Peloponnese. He died from a heart attack in Hollywood on October 27, 1964 at the age of 66. Description above from the Wikipedia article Rudolph Maté, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Awards & recognition

  • Academy AwardBest Cinematography, Color · 1945 · nominated
  • Academy AwardBest Cinematography, Black-and-White · 1944 · nominated
  • Academy AwardBest Cinematography, Black-and-White · 1943 · nominated
  • Academy AwardBest Cinematography, Black-and-White · 1942 · nominated
  • Academy AwardBest Cinematography, Black-and-White · 1941 · nominated

Filmography45 titles

Metropolitan

1935Director of Photography

The Passion of Joan of Arc

1928Director of Photography

To Be or Not to Be

1942Director of Photography

Gilda

1946Director of Photography

The Pride of the Yankees

1942Director of Photography

The Mississippi Gambler

1953Director

Sahara

1943Director of Photography

It Started with Eve

1941Cinematography

Vampyr

1932Director of Photography

That Hamilton Woman

1941Director of Photography

Dodsworth

1936Director of Photography

Foreign Correspondent

1940Director of Photography

My Favorite Wife

1940Director of Photography

Love Affair

1939Director of Photography

Our Relations

1936Director of Photography

Charlie Chan's Secret

1936Director of Photography

Miracle in the Rain

1956Director

D.O.A.

1949Director

Stella Dallas

1937Director of Photography

Come and Get It

1936Director of Photography

Over 21

1945Director of Photography

Letter to Loretta

Director

Union Station

1950Director

The 300 Spartans

1962Director

For the First Time

1959Director

The Violent Men

1955Director

The Green Glove

1952Director

When Worlds Collide

1951Director

Cover Girl

1944Director of Photography

The Flying Deuces

1939Production Assistant

Trade Winds

1938Director of Photography

The Far Horizons

1955Director

The Black Shield of Falworth

1954Director

The Real Glory

1939Director of Photography

Michael

1924Director of Photography

The Siege at Red River

1954Director

Branded

1950Director

They Got Me Covered

1943Director of Photography

The Adventures of Marco Polo

1938Director of Photography

Three Violent People

1956Director

The Dark Past

1948Director

Down to Earth

1947Director of Photography

Seven Sinners

1940Director of Photography

Blockade

1938Director of Photography

The Barbarians

1960Director