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Karl Freund

Camera

Born January 16, 1890 · Königinhof, Bohemia, Czech Republic

Died May 3, 1969

Also known as Carl Freund · Karl W. Freund

Biography

​From Wikipedia, the free encyclopedia.   Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937). In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered. Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks". Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Awards & recognition

  • Academy AwardBest Cinematography · 1938
  • Academy AwardBest Cinematography, Black-and-White · 1942 · nominated
  • Academy AwardBest Cinematography, Color · 1942 · nominated
  • Academy AwardBest Cinematography · 1938 · nominated

Filmography34 titles

Metropolis

1927Camera Operator, Director of Photography

The Last Laugh

1924Director of Photography

All Quiet on the Western Front

1930Director of Photography

Key Largo

1948Director of Photography

Berlin: Symphony of Metropolis

1927Director of Photography, Producer

Three Comrades

1938Director of Photography

Dracula

1931Co-Director, Director of Photography

Tartuffe

1925Director of Photography

The Thin Man Goes Home

1944Director of Photography

Without Love

1945Director of Photography

Camille

1936Director of Photography

Mad Love

1935Director

The Golem

1920Director of Photography

Pride and Prejudice

1940Director of Photography

The Mummy

1932Director

A Guy Named Joe

1943Director of Photography

Blossoms in the Dust

1941Director of Photography

The Chocolate Soldier

1941Director of Photography

Two Smart People

1946Director of Photography

Conquest

1937Director of Photography

Du Barry Was a Lady

1943Director of Photography

The Good Earth

1937Director of Photography

The Great Ziegfeld

1936Director of Photography

Michael

1924as LeBlanc - Art Dealer

A Yank at Eton

1942Director of Photography

Murders in the Rue Morgue

1932Director of Photography

Letter of Introduction

1938Director of Photography

The Spiders: Part 1 - The Golden Sea

1919Director of Photography

Bright Leaf

1950Director of Photography

Undercurrent

1946Director of Photography

Tortilla Flat

1942Director of Photography

Montana

1950Director of Photography

That Hagen Girl

1947Director of Photography

Balalaika

1939Director of Photography