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Hal Mohr

Camera

Born August 2, 1894 · San Francisco, California, USA

Died May 10, 1974

Also known as Harold Leon Mohr

Biography

Hal Mohr, A.S.C. (August 2, 1894 in San Francisco – May 10, 1974 in Santa Monica, California) was a famed movie cinematographer. He is known for his Oscar-winning work on the 1935 film, A Midsummer Night's Dream. He was awarded another Oscar for his work on The Phantom of the Opera in 1943, and received a nomination for The Four Poster in 1952. From a young age, Hal Mohr wanted to pursue a career in cinematography because he was curious to learn about how to make pictures move onscreen. He worked as a photo finisher in a photo lab to gain experience with the camera. When he was 19 years old, he filmed his first movie, Pam's Daughter, which, unfortunately, was never seen by the public because of problems with the motion picture distribution company. Although Mohr mainly worked as a cinema portraitist on movies such as The Wedding March, A Midsummer Night's Dream, and the Technicolor The Phantom of the Opera, he was passionate about exploring the limits of the camera. Mohr shot in deep focus years before Gregg Toland -- Bullets or Ballots and The Green Pastures were both shot in deep focus. He was inspired by the moving shots in the Italian movie, Cabiria, and developed a camera with special tracking abilities for his 1914 film, Pan's Mountain. Notably, Mohr is the only person to have won a competitive Academy Award without being nominated for it. In 1936, a write-in campaign won him the Best Cinematography Oscar for his work on A Midsummer Night's Dream (1935). The Academy later changed the Oscar rules, making write-in voting impossible. In 1944, Mohr became the first person to win an Oscar for both Black-and-White and Color cinematography when he won his second Academy Award, this time with W. Howard Greene for Best Cinematography in a Color Film, for their work on The Phantom of the Opera (1943). Mohr was nominated for an Academy Award for Best Cinematographer for his work on The Four Poster (1952), a film based on a play of the same name, written by Jan de Hartog. He was also nominated for a Golden Globe for Best Cinematography in a Black and White Film, for his work on the same movie. Other film cinematographer credits include Little Annie Rooney (1925), The Big Gamble (1931), Cheers for Miss Bishop (1941), Another Part of the Forest (1948) and The Wild One (1953). Mohr served as president of the American Society of Cinematographers from 1930 to 1931. Then, for two terms from 1963 to 1965 and finally from 1969 to 1970. He was one of the first members of the Academy of Motion Picture Arts and Sciences, and a senior member of the Academy's Board of Directors. He headed the Academy's Cinematography Branch for over 20 years, and was also a part of the Academy of Television Arts and Sciences. Before his death, he would travel the country promoting cameramen and the industry of cinematography. For his many contributions to motion pictures and the film industry, Hal Mohr received a star on the Hollywood Walk of Fame located at 6433 Hollywood Blvd.

Awards & recognition

  • Academy AwardBest Cinematography, Color · 1944
  • Academy AwardBest Cinematography · 1936
  • star on Hollywood Walk of Fame
  • Academy AwardBest Cinematography, Black-and-White · 1954 · nominated
  • Academy AwardBest Cinematography, Color · 1944 · nominated
Show all 6 awards →
  • Academy AwardBest Cinematography · 1936 · nominated

Filmography36 titles

Destry Rides Again

1939Director of Photography

Captain Blood

1935Director of Photography

Little Annie Rooney

1925Director of Photography

Underworld U.S.A.

1961Director of Photography

Watch on the Rhine

1943Director of Photography

Sparrows

1926Director of Photography

The Big Night

1951Director of Photography

Woman on the Run

1950Director of Photography

The Wild One

1953Director of Photography

Bullets or Ballots

1936Director of Photography

Rancho Notorious

1952Director of Photography

The Front Page

1931Additional Photography

Noah's Ark

1928Director of Photography

The Creation of the Humanoids

1962Director of Photography

A Midsummer Night's Dream

1935Director of Photography

The Green Pastures

1936Director of Photography

State Fair

1933Director of Photography

King of Jazz

1930Director of Photography

The Last Voyage

1960Director of Photography

Phantom of the Opera

1943Director of Photography

When the Daltons Rode

1940Director of Photography

The Gun Runners

1958Director of Photography

The Jazz Singer

1927Director of Photography

Topaz

1969Technical Advisor

I Met My Love Again

1938as College Student (uncredited)

The Boss

1956Director of Photography

Old San Francisco

1927Director of Photography

The Big Idea

1917Director, Director of Photography, Writer

Broadway

1929Director of Photography

The Monster

1925Director of Photography

The Second Woman

1950Director of Photography

Pot o' Gold

1941Director of Photography

The Climax

1944Director of Photography

Big Boy

1930Director of Photography

Back Door to Heaven

1939Director of Photography

Salome, Where She Danced

1945Director of Photography