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Tony Gaudio

Camera

Born November 20, 1883 · Cosenza, Calabria, Italy

Died August 10, 1951

Also known as Antonio Gaudio · Gaetano Gaudio · Tony G. Gaudio

Biography

From Wikipedia, the free encyclopedia Tony Gaudio, A.S.C. (20 November 1883 – 10 August 1951) was an Italian American cinematographer and is sometimes cited as the first to have created a montage sequence for a film. Born Gaetano Antonio Gaudio in Cosenza, Italy, he began his career shooting short subjects for Italian film companies. He moved to New York City in 1906 and worked in Vitagraph's film laboratory until 1909, when he began shooting shorts for the company. His credits include Hell's Angels (1930), Little Caesar (1931), The Lady Who Dared (1931), Tiger Shark (1932), Anthony Adverse (1936), The Story of Louis Pasteur (1936), The Life of Emile Zola (1937), God's Country and the Woman (Warner Brothers' first Three-strip Technicolor film, (1937), The Adventures of Robin Hood (1938), Juarez (1939), The Letter (1940), High Sierra (1941), Corvette K-225 (1943), Days of Glory (1944), A Song to Remember (1945), and The Red Pony (1949). Gaudio was a favorite of Bette Davis and worked on eleven of her films, including Ex-Lady, Fog Over Frisco, Front Page Woman, Bordertown, The Sisters, Juarez, The Letter, and The Great Lie. Gaudio won the Academy Award for Best Cinematography for Anthony Adverse and was nominated five additional times, for Hell's Angels, Juarez, The Letter, Corvette K-225, and A Song to Remember. He was among the founders of the American Society of Cinematographers. He died in 1951 and is interred in the Hollywood Forever Cemetery in Hollywood, California. His brother Eugene Gaudio, also a cinematographer, died in 1920 at the age of 34.

Awards & recognition

  • Academy AwardBest Cinematography · 1937
  • Academy AwardBest Cinematography, Color · 1946 · nominated
  • Academy AwardBest Cinematography, Black-and-White · 1944 · nominated
  • Academy AwardBest Cinematography, Black-and-White · 1941 · nominated
  • Academy AwardBest Cinematography, Black-and-White · 1940 · nominated
Show all 7 awards →
  • Academy AwardBest Cinematography · 1937 · nominated
  • Academy AwardBest Cinematography · 1930 · nominated

Filmography39 titles

The Adventures of Robin Hood

1938Director of Photography

The Letter

1940Director of Photography

The Amazing Dr. Clitterhouse

1938Director of Photography

The Mark of Zorro

1920Cinematography

Larceny, Inc

1942Director of Photography

High Sierra

1941Director of Photography

The Old Maid

1939Director of Photography

The Man Who Came to Dinner

1941Director of Photography

The Great Lie

1941Director of Photography

Kid Galahad

1937Director of Photography

It's Love I'm After

1937Additional Photography

The Story of Louis Pasteur

1936Director of Photography

Lady Killer

1933Director of Photography

Little Caesar

1931Director of Photography

The Dawn Patrol

1938Director of Photography

Background to Danger

1943Director of Photography

The Life of Emile Zola

1937Director of Photography

Brother Orchid

1940Director of Photography

I've Always Loved You

1946Director of Photography

Juarez

1939Director of Photography

The Front Page

1931Additional Photography

Hell's Angels

1930Director of Photography

The Racket

1928Director of Photography

A Song to Remember

1945Director of Photography

She Goes to War

1929Director of Photography

The Constant Nymph

1943Director of Photography

Knute Rockne All American

1940Director of Photography

On With the Show!

1929Director of Photography

The Red Pony

1949Director of Photography

Private Detective 62

1933Director of Photography

The Case of the Lucky Legs

1935Director of Photography

Secrets

1924Director of Photography

Front Page Woman

1935Director of Photography

The White Cockatoo

1935Director of Photography

Blondie Johnson

1933Director of Photography

The Fighting 69th

1940Director of Photography

Mandalay

1934Director of Photography

The Mask of Fu Manchu

1932Director of Photography

The Silk Express

1933Director of Photography